Eye makeup at Marchesa Fall/Winter 2014 created by Gucci Westman using Revlon Colorstay Skinny Liquid Liner (available spring 2014).
TALKIN’ BOUT COLD BILLS; Acrylic on linen
Sarah Lucas - Chicken Knickers, 1997
"This is an image of the artist’s lower body wearing a pair of white knickers to which a chicken has been attached, its rear orifice in roughly the position of her vulva. Lucas has been using food as substitutes for human genitalia, both male and female, since the early 1990s. One of the principal themes in her work is a confrontation with traditional female roles and identities. She explores the ambiguities in her own attitudes and those of others (men as well as women) towards sexual objectification and desire. One of the ways she does this is by making physical and literal representations of vernacular terms for bodies, focusing, in particular, on sexual body parts and their connection to foods." [Tate]
"Honey, I’m leaving you for Poussey”
“A lot of people just look and see skin color. I’ve actually had people ask me was I Black or was I White first. A White gentleman came up to me and said ‘I thought you might be White, but then I saw your lips.’ One girl said to me ‘I’ve been wanting to ask you this question, but I didn’t feel comfortable asking you because I thought that you might be offended, but are you Black or are you White?’ And I was just like, ‘Well, I’m always Black.’ When we were done with the meat of the conversation, she laughed and said something about my hair and my butt gave it away. People definitely let you know that they view being Black as being very literal – the amount of pigment you have. ‘Your skin is White, therefore you’re White. Or are you?’
— Sembene McFarland
© 2012 Black Fiya Works